MicroGeography

一德路 (Yide Lu) M2XF | Productive Studio Final

2010-12-06T14:57:00.000-08:00

Yide Lu Materials Exchange & Experimental Fabrication Studios

The M2XF prototype studio on Yide Lu in Guangzhou is an experimental facility to promote the alteration and expansion of the Guangzhou local economy towards one of creative productivity. The building facilitates this change by allowing for rapid and fluid exchange of materials and knowledge.

Essential to this goal is the fluidity of a single stream, large bandwidth circulation path. By focusing the circulation allowances of the building program into a single multi purpose path a high degree of flexibility, happenstance, and mobility is achieved. The vertical circulation of the entire building is conceptualized as a street which has been wrapped and folded at it's block divisions to form a continuous ramp. This is allowed for by a long and narrow building footprint such that accessible slopes (1:12) are maintained throughout. The folds/corners in the building act as intersections do in the urban realm, as nodes of activity and informal meeting points.

The building is globally organized as a service base with a central structural/service column that supports living and working unit floor slabs. The service base is laid out in two floors, the first being an open plan to allow for flexible partitioning for various exhibition and sales venues. The street ramp begins at the midpoint of the ground floor extending to the back where a mezzanine platform houses classrooms for internal and external education. The ramp continues to the main floor where it enters the shared production floor and points one directly towards the forum which is composed of a 2:3 broad stepped social stair which faces on to the production floor through a modifiable fritted partition wall. Housed at the top of the forum steps, hung over the sidewalk and street is the cafe whose seating spills back out onto the steps. The continuous surface of these three ambiguous programmatic elements creates an active/passive gradient that encourages the bleed through of ideas sprouted over lunch directly into direct material experimentation and production. By center-piecing the shared productive zone within the frame of ancillary activities creative productivity is foregrounded as the ultimate activity of this heterotopic space.

Installed above this pedestal of communal activities are the unit floor slabs which hang from the structural core and are connected by a continuation of the street ramp which joins staggered floor plates on either side of the core. These plates can be configured in a variety of plans to accommodate differing mixes of working places and living spaces. Commonly, the plates will gradient from productive activities near the core to private living quarters at the edge of the plate. By maintaining the street ramp through this component of the building, the businesses on each floor will be able to interact immediately and directly with their neighbors on the adjacent two floors. This will foster creative cross pollination, competition, exchange, and the sharing of resources to promote a highly fertile creative environment.

The flexibility and specificity of the generative section allows for morphological change in the plan of the ramp slot type while maintaining spatial coherence. While restricted to sites of at least 225' long the ramp slot type can expand laterally from 40' to 120'. Transverse expansion and contraction of the plan allows for programmatic elaboration and alteration resulting from a rule set based on functional needs such as circulation, egress, and environmental factors. These functional needs also act as the limit of the type as beyond a certain width the type begins to be disrupted by it's own girth.

Portland Regional Food Economy

2010-10-05T21:12:00.000-07:00

Of Cartoons and Performance

2010-03-04T19:27:00.000-08:00

David Cook from Behnisch is coming to teach a studio at this quaint architecture school I attend and is interested in investigating "sustainability" through the lens of behavioral patterns and urban infrastructures.

In his studio brief he references Heath Robinson the English cartoonist as an exemplar for media and suggests that we will be doing quite a bit of cartooning in our early phase research. I must say I can hardly contain myself in excitement at the potential of this studio. I'm having fever dreams of turning this little corner of Oregon into a mini-Bartlett, ala Smoot Allen and CJ Lim (who is a self avowed Robinson fan).

Heath Robinson

CJ Lim

Smoot Allen

Regenerative Alluvial Landscapes

2010-02-20T14:29:00.000-08:00

"Annual spending in the U.S. for mitigation of erosion and sedimentation is estimated at $13 billion. The erosion control industry consists of a broad range of diverse professions and specialties, including hydroseeders, mat and blanket manufacturers, consulting engineers, landscapers and even earth moving contractors. All stake claims to separate or interrelated segments of this market. This army of professionals have two objectives in mind; the prevention of soil erosion, and the trapping of sediment before it enters the waterways." - Honningford Laurie About ECTC Erosion Control Technology Council www.ectc.org

Soil Erosion is a major concern for development patterns. It effects agriculture, infrastructure, buildings, and hydrology. It is a force which is sought to be resisted, controlled, and comprehended for the sole purpose of prevention. Though when considered carefully it is evident that we are able to wage a battle of attrition only. Erosional processes are a function of physical laws that science has determined as absolute: Newton's 2nd Law of Thermodynamics; the constancy of gravitational force; the molecular forces which define friction of macro objects. It is only possible to retain for a time fitting to the scale of human life that we can measure success, and even that is a hard fought victory.

Re-conceptualizing the understanding and definition of erosion from a non-anthropomorphic position could allow us to view it as productive process. It is only in reference to our own human interventions by which this natural process is seen in a negative light. It is even fair to say that it is often due to our own interventions that it comes to be a problem. The desire to lay a bridge, and the subsequent scouring of the supports is a result of hydrologic forces reacting to engineered intervention. Agricultural soil erosion is often the result of poor tilling processes and overuse of soil, as was the case in the Oklahoma Dust Bowl and the contemporary crisis in the Pahlouse landscape of Eastern Washington state. Considered from this stance it is possible to see that it is our resistance to this natural process which creates the conflict. Could it be possible to construe a means of acting in partnership with this process to engage and benefit from its complexity?

Examples can be found in which the process and production of erosion becomes a generators of landscapes. A productive effect of erosion is the sorting of soil by grain size and type due to gully erosion and the alluvial fans which result. Resulting from a hydrologic process taking place across a topologically complex but surficially small areas the expansive scale of the alluvial fan is a landscape which would be unimaginable to construct artificially. The resulting surface pattern of organized soil and the dendritic pattern of hydrology which creates and sustains it can be utilized to define human habitation and land use. This effect can be seen in the satellite image of agricultural plots and their responsive spatialization on an alluvial fan in Iran.

Since the erosional process is one which occurs at many geological scales; from a small stream into a field to the outflow of major rivers into the ocean; it is possible to imagine productive effects beyond the large scale agricultural ordering described in the example above. The smoothed ground plane which characterizes the alluvial landscape could be utilized to reconstruct and repair industrial interventions of the land which have left sites unusable due to challenging topography.

An instance of this type of site is the quarry, which is ubiquitous to human culture, but has become a challenged landscape due to industrialization and the capabilities of mechanized earth work. Could we insturmentalize erosion to deal with The Biggest of the Big open-pit copper mines? These landscapes of constant alteration which have grown beyond our ability to "repair" them?

Scaling

2010-01-13T12:55:00.000-08:00

local codes:real estates - Nicholas De Monchaux

A few recent articles in the press on the prospects and uses of GIS in built environment design have got me all hot and bothered these last few months. A recent piece in Architect has a nice analysis of possible and contemporary uses of GIS. A few months back the NYT featured a profile on recent work in the field I had really thought that Nicholas De Monchaux's Local Codes:Real Estates should have been the winner in the WPA 2.0 competition last year. Though in many ways it has, as the project has generated a lot more interest and buzz than the pinball paddle algae bridge that was the official winner.

WPA2 : Local Code / Real Estates from Nicholas de Monchaux on Vimeo.

Spatial Information Design Lab @ GSAPP

GeoDesign Summit

GeoDesign Bibliography

City Dance

2009-12-23T13:14:00.000-08:00

I've been meaning to post on the City Dance performance from last year. I was fortunate enough to be a participant in the workshops and as a movement usher and it was one probably the single most profound urban event I've ever been involved in or witness of. I missed the screening of the video and release of Randy Gragg's book on the Halprin Sequence which I'm really sad about so I've been looking around and collecting some of the videos from the event:

City Dance - Keller Fountain from Philip Beech Home Video Studio on Vimeo.

WPA 2.0 entry

2009-11-27T00:55:00.000-08:00

Economic ecology in the North American Peripheral Corridor City

2009-07-07T12:57:00.001-07:00

The scene is a state highway hurtling through the valley of an endless landscape of detached houses, strip developments, franchise outlets, electrical lines, and brightened signs of businesses forgotten the moment they are passed by. This highway is one of a hundred and one that run North-South across the country. It is, at a glance and by thought, wholly unremarkable to our public consciousness. And yet this scene, is now and will be, the present/future reality of the way we live.

The highway is 99W. It runs concurrent with Interstate 5 until just south of Portland, Oregon, where it splits westward, plunging through the wine country and bread basket of the Northern Willamette Valley, and breaking apart amidst the Coastal Range as feeder roads splinter into the logging forest and further towards the Pacific Ocean. This corridor serves to link these local productive economies with national and international shipping routes clustered around the confluence of the Columbia and Willamette Rivers. But along its stretch, back washes and eddies of the global consumptive economies disrupt the identity and desires of cities and towns as we thought we knew them.

Implicit in the structure of this landscape is the contested relationship between the desire for a private life rooted in a specific place and the privatized individuality of global consumer culture. The people that live here do not work here, and the people who work here do not live here. Every day three quarters of the populace trades places with other economic actors in a ballet of transposition played out in a ritual of coffee served out of small windows, loads of goods rattled across tarmacs in small carts, and the ever present smell of carbon emitted from combustion engines.

This "in-between landscape" between local production and global consumption continues even into the very fabric of the fine grain of the urban condition. The great majority of businesses in the area thrive on the market share of the highway. Their business model is utterly focused on the customers in their cars moving from sub-region to sub-region. To partake in their business, even if they are your immediate neighbor means to enter that market stream. As a business, to partake in this market share requires the resources to develop ones own infrastructure, focused inwardly as an extension of the national highway system. This gives a significant advantage to national and multi-national corporations who have the strategic experience and tactical capabilities to 'plug-in' to the standardized network of transportation infrastructure. McDonalds, Jiffy Lube, Sunoco, et al. To be an small business or independent business owner is to be dependent on strip mall developers who provide a 'plug-in' unit of standard dimensions and shared infrastructures. These developments heed only to their own internal logic which is in turn driven by the demands of external national and global market forces.

The town below and around this scene is Tigard, a periphery city that goes by unmarked from the view of an automobile. It is the background on which this ballet is set. Where the highway rises on a viaduct over a disused rail track the Main Street breaks away and runs parallel for a half a mile, rejoining again, sublimated back into the stream. Businesses dot its length though they seem undifferentiated and largely unable to compete with the strip development that is ever present along the corridor route. A town center that is swallowed by the conditions of the urbanized landscape, it is readable only as a depression amongst the unreadable field condition of the "sprawl" that surrounds it. Its Main Street will never be a nexus of self subsistence and community support, the vision of which maintained within American imagination throughout the 20th century. This long held dream is now clearly a myth of a past America, one whose grave was marked amidst the confused squeals of 24 hour punditry and editorial page essays this past fall. It will have to find a way to re-identify itself as a civic being which has no pure understanding within its local context; rather as a complex, multivariate node of hybrid economies, itinerant market forces, contested ecologies, and new images of civic life. One in which recreation occurs in re-purposed industrial sheds, markets are traded on the surface of structured parking lots, and people come and go by way of feet, rails, and roads.

At this heart of this city unrealized, lies nascent capacities for this new vision. The confluence of potential transportation developments at divergent scales converge at heart Tigard. A recently renewed commuter rail running on the disused heavy rail tracks, a potential for a new regional light rail line run in tandem with the highway, and the eventual need to replace the highway viaduct itself present an opportunity for infrastructural investment sourced from a variety of funding streams.

However, the normative methodology of transportation infrastructure guided by the single purpose designs of civil engineering will only continue the trend of economic and civic disassociation. What is needed is an integrated design thinking that considers the potentials of infrastructure as a lasting part of our narrative history and public imagination. A public infrastructure which incorporates and allows for local ad hoc economic and social activities to participate in and engage with the comings and goings of the global surge of capital.

Cities Without Cities Charrette Presentation
Nicolaus D Wright Summer 2009
Critics: Hajo Neis, Thomas Sieverts, John Brehm, Shawn Collins

Infrastructure: Its meanings and methodologies

2009-07-01T13:23:00.000-07:00

Stan Allen's Points + Lines: Diagrams and Projects for the City is my crucial reading for getting this project off the ground. Actually it has been my reading for a while now.

The book chronicles his work through the 1990's in the development of a number of essential theoretical positions from which his work is framed. Of particular interest to me in light of recent competition call is the notion of infrastructural urbanism. This can be understood in a way as a precursor or perhaps correlary to landscape urbanism, especially considering that Allen was for a time James Corner's partner in Field Operations. Certainly this can be observed in comparing Allen's layered diagrams for the Reconstruction of the Souks of Beirut project to that of FO's diagrammatic language.

His writing and drawings begin to form an understanding of infrastructure that is crucial to the formation of a successful project that engages urbanism by means of "laying the ground".

In his project for Barcelona, Logistical Activities Zone is particularly helpful in that it the project, though developed through traditional representational strategies (plan, sections, models) is represented finally as a manual, in the form of a matrix of interconnected topics (surface, service, organization, structure, repetition, anticipation). Primary to this mode of representation is the understanding of notation and scoring as a necessary means of representing the potentials of the infrastructural field.

Kahn's flow diagram for his traffic plan for Philadelphia, a particularly amazing project which is far understudied, is an early example of what notational representation may accomplish. Further afield one may look toward the notion of scoring, as in music or dance, particularly the non-traditional scoring methods of Merce Cunningham and John Cage. Of course for urban landscape architecture this is old hat, see Lawrence Halprin's tome RSVP. Notations use in urban design allows for the production of "directed indeterminancy" wherein robust and specific proposals sustain overtime yet are open to supporting multiple interpretations.

Since this is an informal thing I'm going to jot my notes on what I meant to write about: which is the specific meaning and intention of infrastructure as an architectural method. I'll flush it out later and fix this post rather than saving it an forgetting about it.

Infrastructure:
-establish realistic framework for future collective contribution
-constructing the site itself, preparing the ground for future building, conditions for future events.
via: surface, service, networks
Infrastructures medium is geography [it's method is choreography?]

"Traditional represenation presumes stable objects & fixed subjects."
The contemporary city is not an artifact.

Infrastructure - collective nature not the establishment of rules but the fixing of points of service, access & structure.

Infrastructure works strategically, but encourages tactical improvisation.

Infrastructure accomodates local contigencies while maintaining overall continuity.

catastrophe point - threshold at which continuitie's structure and function of a system is easily altered or broken.

Proposed Projects:
Parque De Lago - Paisajes Emergentes
Hydro Park - Tania Delage
The Peoples Public Works - ReBar